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SLIGO SET |
| © 2008
Larry E. Taylor |
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This set comes from County Sligo, Ireland. |
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Gents dance forward on the left foot and ladies begin forward on the right foot. |
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Quarterhouse: couples take waltz hold facing one another and dance in-place1; |
| lift/kick the outside foot (gents right, ladys left) toward the center then in-place1; | |
| dance to the next position on the right, turning clockwise once2; repeat the | |
| preceding four-bar pattern through each next right position to home. This | |
| pattern is similar to the Hop Quarterhouse danced in the Borlin Set. | |
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Bar counts for dance patterns are shown in bold. |
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The total bar count for each Figure includes an eight-bar introduction of music. |
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First Side couple is on the left of the first top couple. |
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Swing in waltz hold in Figures One and Three and in ceili hold in Figure Two. |
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Edition of December 25, 2008 -- Contact larryetaylor@hotmail.com |
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| Dance an ordinary reel step (lift-2-3-4). | |
| All couples: | |
| (locked) and take right-hand-in-right with partner; dance two bars | |
| on-the-spot at each position; release left hands then turn the lady | |
| clockwise to-place (at home) on the final two bars16; | |
| Top couples: | take hands in a circle with the couple on the right and dance around clockwise4; |
| top couples form an arch and the couple on the right dances under the arch as | |
| both couples dance to-place; during the final two bars, the top couple | |
| turn under their arch (lady anticlockwise and gent clockwise)4; | |
| All couples: | face corner partner and take inside (closest) hands and form an arch; the ladies |
| turn clockwise two times under-the-arch while the gents dance in-place4; | |
| face original partner and take inside hands and form an arch; the ladies | |
| turn clockwise two times under-the-arch while the gents dance in-place4; | |
| original partners swing in waltz hold8; | |
| house clockwise to home (four bars); | |
| while the first top lady houses across and back, all other dancers form | |
| a hand-holding circle and dance clockwise (four bars -- forward three, | |
| change direction, one) then dance anticlockwise to-place (four bars)8; | |
| First top couple: | dance in-place (no touch) with the lady beginning inside the set facing the gent4; |
| swing in waltz hold; end with the lady facing the second top gent4; | |
| Top couples: | first top lady and second top gent dance in-place (no touch)4; |
| swing in waltz hold, ending with the lady facing the second top gent4; | |
| first top lady and both top gents dance a no-touch figure eight (lady around | |
| second top gent right-shoulder-to-right, pass partner right-shoulder-to-right, | |
| pass second top gent left-shoulder-to-left as she turns anticlockwise to | |
| her home place; gents pass left-shoulder-to-left when they first meet | |
| then right-shoulder-to-right when they meet the second time)8; | |
| original partners swing in waltz hold8; | |
| All couples: | repeat from |
| lady leading120; | |
| repeat from |
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| Dance ordinary polka steps (down-2-3 and slide-slide-slide) and as shown below. | |
| All couples: | |
| (gents backs to center); dance 1-2-3- lift trailing foot2; to dance | |
| in-place and turn one-quarter clockwise, step down on the lifted foot | |
| (gent's right, lady's left)1; step down on the opposite foot (gent's left, | |
| lady's right)1; repeat the preceding slide/lift/turn pattern three times | |
| to reach respective homes (when dancing toward the second and fourth | |
| positions, gents slide on the right foot and ladies slide on the left foot)12; | |
| still in waltz hold, slide in and out once4; house anticlockwise to opposite4; | |
| repeat the preceding slide/house patterns to home8; | |
| full house in waltz hold8; | |
| beginning on the leading foot; repeat the down, up, 1-2-3 with the | |
| other foot (gent's right, lady's left)4; | |
| swing in ceili hold4; | |
| form a circle with ladies facing out and gents facing into the set; take hands | |
| with each gent holding his partner's hand over her shoulder and the | |
| other lady's hand behind him (as in the BALLYCOMMON SET ); | |
| dance in file anticlockwise around the set 8; | |
| still holding hands, with gents facing into and ladies facing out of the set, | |
| dance down, up, 1-2-3 four times as above8; | |
| original partners swing in ceili hold8;
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| repeat from |
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| repeat from |
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| Dance an ordinary polka step (down-2-3). | |
| All couples: | |
| swing in waltz hold8; | |
| quarterhouse (see heading)16; | |
| full house waltz hold8; | |
| left (visit, begin a clockwise crossover)2; | |
| dance backward to opposite (complete the crossover)2; | |
| repeat the preceding visit/crossover to home4; | |
| interlacing advance and retire then crossover : | |
| top couples, right-hand-in-right, advance and retire once; | |
| side couples, right-hand-in-right, advance and retire once, beginning the | |
| advance as the tops begin their retire4; | |
| still right-hand-in-right, tops crossover anticlockwise to opposite; | |
| sides likewise crossover but begin two bars after tops begin4; | |
| repeat the preceding advance and retire/crossover to home8; | |
| repeat the visit/crossover to opposite and home as above8; | |
| repeat from |
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| Dance ordinary hornpipe steps (lift-2-3-4 and 1-2-3-4-5-6-7). | |
| All couples: | |
| dance 1-2-3-4-5-6-7, turn 1/4 anticlockwise to the first position | |
| on the right2; repeat the preceding pattern three times to reach | |
| respective home positions6; | |
| full house in waltz hold8; | |
| Top couples: | gents hook left arms in the center2; double around2; give right arms to opposite |
| lady2; new couples dance around one another to-place2; | |
| Side couples: | repeat the preceding hook arounds and crossover, leaving all couples at their |
| respective opposite positions8; | |
| All couples: | interlacing sevens crossover (gallop, beginning weight on the trailing foot) to |
| home then to opposite : | |
| in waltz hold, tops dance 1-2-3-4-5-6-7 across then in-place2; | |
| sides repeat the preceding crossover but begin two bars after tops2; | |
| repeat the preceding crossover to respective opposites, with | |
| gents again dancing back-to-back during the crossing4; | |
| full house in waltz hold8; | |
| repeat from |
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| repeat the square around the house as above8; | |
| full house in waltz hold, doubling the final two bars8. |
