Fall
2003; TR
Main
Hall 306
Instructors:Leslie
Heaphy
Robert Sturr
Office: 310D
Office:409
Hours:MW
9-10, W 1-2 and
Hours:MW 1-2, W 4-5, Required
Texts: Jules
Tygiel, Past Time:Baseball as
History Eric
Rolfe Greenberg, The Celebrant Bernard
Malamud, The Natural Mark
Harris, Bang the Drum Slowly Buck
O’Neil, I Was Right on Time:My
Journey from the Negro Leagues to the Majors David
Halberstam, October 1964 Robert
Coover, The Universal Baseball Association, Inc., J. Henry Waugh, Prop. Jim
Bouton, Ball Four Course
Description: This
course will explore the history and cultural significance of baseball,
primarily as it has developed in the §To
improve reading and critical thinking skills through a careful consideration
of both historical and literary texts; §To
improve writing skills through essay examinations and longer writing projects; §To
enhance oral communication skills through classroom discussion, and to
foster respect for and appreciation of different perspectives; §To
promote an understanding and appreciation of historical changes and the
impact such changes have upon humanity (the dynamism of cultural history) §To
improve knowledge of baseball’s history and cultural importance §To
encourage a better understanding of storytelling and the way that we construct
narratives out of lived experience, whether it is baseball or some other
activity (i.e., the material from which we create both history and
literature) Course
Assignments: Three
take home exams255 points (85 points
per exam) Class
Participation40
points Bibliographic
Essay85
points Thematic
Paper120 points Proposal(5
points) Revised Proposal(5
points) Rough Draft(10
points) Final Paper(100
points) TOTAL500
points The
take-home exams will feature essay questions drawn from the assigned texts
as well as Tygiel’s chapters.They
will require interpretation and subjective discussion rather than the repetition
of factual knowledge. on interpretation more
than factual knowledge.Specific questions
and further directions for each exam will be handed out one week before
each one is due.No late exams
will be accepted.The due dates
are included on the schedule below. Detailed
directions for both the Bibliographic Essay and Thematic Paper are attached
at the end of this syllabus.Students
are encouraged to begin planning for each project early in the semester.We
encourage you to consult with us during office hours in the selection and
development of topics. Grading: A90%-100%(excellent)450-500 B80%-89%(above
average)400-449 C70%-79%(average)350-399 D60%-69%(poor)300-349 FBelow
60%(failing)Below
300 Policies: Attendance:Students
are expected to attend class each week.Having
more than three unexcused absences will result in a failing grade for this
class.Students are responsible
for the material covered on the days they are not there and for getting
assignments turned in on time. Students
with Disabilities:In accordance
with University policy, if you have a documented disability and require
accommodations to obtain equal access in this course,
please contact Kelly Kulick in Student Services (244-3287) to submit documentation.Then,
you must contact both instructors so that they are aware of any required
accommodations. Academic
Honesty:All work that students
hand in is expected to be their own.Failure
to do so is plagiarism and is considered to be a serious academic offense.Plagiarism
includes submitting work as your own that has been copied from another
source (published material, an Internet site, another student’s paper,
etc.).It also involves the failure
to properly cite quotations and paraphrased passages from outside sources
when they are included in your own writing.Finally,
plagiarism occurs when a writer receives too much help from others in the
preparation, editing or proofreading of work to be submitted.If
we determine that you have committed plagiarism on an essay exam or the
two longer writing projects, you will receive a failing grade for that
exam or project.Additional disciplinary
action might be taken, as outlined in the "Cheating and Plagiarism" section
of the University's Digest of Rules and Regulations.If
you have any questions at all about what might constitute plagiarism (especially
prior to the submission of an exam or essay), please don’t hesitate to
ask us about it. Grievance
Procedure:The Stark Campus’ procedure
for handling student grievances conforms to the “Student Academic Complaint
Policy & Procedures” set down as University Policy 3342-4-16 in the
University
Policy Register. Assistance: Testing
Center:The Library
Services:For
help with research related questions students can call the library (ext.
53330) or email a reference librarian at refdesk@stark.kent.edu
to set up an individualized instructional session with one of our four
librarians.Students are not required
to schedule an appointment; they can just come in at any time.However,
with advance notice librarians can prepare for your visit and thus more
efficiently address your needs.Finally,
for students unable to come into the library, OhioLINK now offers online,
real-time assistance in the form of a Chat Reference service.Students
can connect with an OhioLINK librarian (not always a KSU librarian) from
off-campus (http://chat.ohiolink.edu)
and engage in a chat session to assist them with the use of the many online
services available to them from home. Campus
Theme:This
Year’s Campus Theme is Globalization.The
purpose behind the campus theme is to help students see connections in
their education from course to course as well as seeing how different disciplines
can examine the same ideas.A common
text called Globalization: A Very Short
Introduction is available for those interested in reading more about
this idea and what it means for our daily lives in the twenty-first century. Course
Outline: This
outline is tentative and subject to change as the semester develops but
students will be kept updated on the reading schedule.For
the sake of good discussion, all readings must be done prior to coming
to the class by which they are listed below.Failure
to do the readings regularly may result in pop quizzes and other assignments
as the instructors see fit. 8/26—Course
introduction and syllabus overview; baseball as the source of history &
literature First
Inning:Origins of the Game (both
real and imagined) 8/28—Tygiel,
“The National Game” (3-14); 19th century origins (early history,
rhetoric and imagery) 9/2—Tygiel,
“The Mortar of Which Baseball Is Held Together” (15-34) and “Incarnations
of Success” (35-63); late 19th and early 20th century
foundations; from amateurism to professionalism; league formation and conflict Second
Inning:Baseball and Identity (both
personal and national) 9/4—Greenberg,
The
Celebrant; the World Series and baseball’s popularity in the 1910s 9/9—Greenberg,
The
Celebrant; where did ballplayers come from (baseball types)? 9/11—Greenberg,
The
Celebrant; where did fans come from (from regionalism to a national
scope)? Third
Inning:Corruption and Scandal 9/16—Eight
Men Out (film); gambling in baseball; Thematic Paper Proposal Due 9/18—Eight
Men Out (film) 9/23—Eight
Men Out (film); reactions to the Black Sox scandal 9/30—Malamud,
The
Natural; Malamud’s Greek and Medieval sources 10/2—Malamud,
The
Natural; novel v. film; 1st Exam Due Fifth
Inning:The People’s Game (recognizing
the unrecognized) 10/7—Tygiel,
“Unreconciled Strivings” (116-143); O’Neill, I Was Right on Time 10/9—O’Neill,
I
Was Right on Time; the cultural significance of Jackie Robinson 10/14—Women’s
professional baseball; Revised Thematic Paper Proposal Due 10/16—Baseball
in the western Sixth
Inning:Glory Days?Baseball
in the 1950s 10/21—Tygiel,
“The Shot Heard ‘Round the World” (144-64); Harris, Bang the Drum Slowly 10/23—Harris,
Bang
the Drum Slowly; Bibliographic Essay due 10/28—Harris,
Bang
the Drum Slowly; baseball’s absurdist and fatalistic qualities Seventh
Inning:Integration, Television &
Geography (the 1960s) 10/30—Halberstam,
October
1964; Updike, “Hub Fans Bid Kid Adieu” (handout) 11/4—Halberstam,
October
1964 11/6—Halberstam,
October
1964; Tygiel, “The Homes of the Braves” (165-97); 2nd
Exam Due 11/11—NO
CLASS (Veterans Day) 11/18—Coover,The
Universal Baseball Association 11/25—Bouton,
Ball
Four; non-conformity / drug-alcohol concerns of the 1970s-80s 11/27—NO
CLASS (Thanksgiving) 12/2—Tygiel,
“Populist Baseball” (198-222); financial crisis & baseball’s renaissance
in the 1980s; the Pete Rose affair 12/4—Baseball’s
nostalgia game—the films of the 1980s; Thematic Paper Due 12/9—3rd
Exam Due (Tues. Dec. 9th at Bibliographic
Essay Choose
a major historical question raised by Tygiel and gather 5-7 sources (articles
or book chapters) that might help us to better understand that particular
aspect of baseball history.Write
a bibliographic essay to present your findings.What
is the consensus opinion, if one exists?What
are the disagreements among historians, if they exist? And if there are
disagreements why do they exist? In
order to develop this project, students will need to spend some time in
the library going through books and reference sources available on our
shelves.You should also look carefully
through the notes in the Tygiel text and in the KentLink catalog so that
you can order books well in advance of the due date for the essay.Finally,
searching the databases available through OhioLink (e.g., Academic Search
Premier, American History and Life, etc.) will be necessary
so that you can gather articles on your subject.We
can provide hints along the way, and Maureen Kilcullen, our reference librarian,
is an excellent resource. The
bibliographic essay is due on October 23rd.Late
papers will lose three points for each day they are late.Be
sure to properly cite all material using the Chicago Manual of Style.Papers
should be 5-7 pages, typed and double-spaced.An
example of a bibliographic essay will be handed out during the semester. Students
will be graded on the following: In
a 10-12 page paper, define and discuss a major theme, character type, literary
device or rhetorical style that runs through depictions of baseball in
three
different texts.At least two sources
must be drawn from the assigned reading for this course (excluding Tygiel),
but the third can be a novel, play, short story, poem, memoir or journalistic
account of your choosing.You may
not choose a book or article that is primarily historical; rather, you
should focus on texts that narrate or dramatize the game.If
you opt to include an outside text as the third source, it must be approved
as part of the proposal process.Early
in the semester we will review lists of potential topics and work together
to make sure everyone has an early idea. This
paper should include analysis and commentary on the way that different
writers (or filmmakers) have presented baseball.Avoid
lengthy summary and make sure to choose a clear and specific topic (as
a point of comparison).Listing many
similarities or differences (without a strong sense of purpose) will not
allow you to develop a strong argument.Also,
please note that it is not necessary to discuss your three primary texts
to the same degree.In fact, the
best papers are likely to feature lengthier discussion of one text (or
possibly two), with the others helping to introduce or frame your central
questions and/or focus.Remember,
your paper should make an argument (i.e., have a thesis) so that
readers of the texts you discuss will better understand how those narratives
fit within the larger literature of baseball.This
does not mean that you have to make strong judgments about the quality
of a book or film (as a reviewer or critic might); instead, you should
aim to provide insight into what each text says or accomplishes, especially
when seen in relation to one another. The
use of outside sources is not required, but it might be useful for you
to examine reviews or critical essays on the texts that you have selected.Articles
on certain texts (especially the writing of Malamud, Harris and Coover)
can be found in essay collections in our library and the larger An
initial proposal for the thematic paper is due on September 16th.A
revised proposal will be collected on October 14th.Both
of these will be worth 5 points.A
rough draft of the paper is due on November 13th, and it will
be worth 10 points.The final draft
is due on December 4th and will be worth 100 points. Because
this paper comes mainly out of the discipline of English, you must conform
to the MLA guidelines in format and the citation of sources. Students
will be graded on the following:
or by appointment
Fourth
Inning: Baseball and the Heroic
Personality
Eighth
Inning: Obsession, Anxiety and
Control
Ninth
Inning: Baseball Memories—The
Insider’s Perspective and Fan Nostalgia