BALLYVOURNEY  REEL  SET
	© 2008   Larry E. Taylor
	This set is from County Cork, Ireland.  It is very similar to the CUIL AODHA SET.
	Except for the sevens/threes, a moderately lively, polka step is to be danced (down-2-3).
	Gents dance forward on the left foot and ladies begin forward on the right foot.
	Sevens and Threes:  Partners stand side-by-side without touching; dance sevens
	(1-2-3-4-5-6-7 in gallop-style with beginning weight on the trailing foot) to bypass
	one another;  the partner dancing to the right, dances to the rear of his/her partner;
	dance two threes in-place (down-2-3, down-2-3); dance sevens then threes back to
	the starting point;  the pattern is to be danced low-to-the-floor (non-céilí style).
	Swing in waltz hold.
	Bar counts (quantities of measures) for patterns are shown in bold.
	The total bar count for each Figure includes an eight-bar introduction of music.
	Documentation is based upon workshops taught by Tom Hastings on November 15,
	1996, at Cleveland, Ohio USA and a Come Dance With Me In Ireland video.
	Edition of April 1, 2008 — Contact larryetaylor@hotmail.com

FIGURE 1 -- POLKAS (80 BARS)     PINWHEEL WITH SIDE COUPLES

All couples:	lead around anticlockwise, holding crossed-hands (right hands on top)8.
Top couples:	with the couple on their left:
	pinwheel (star) clockwise with right hands3; reverse direction1;
	pinwheel anticlockwise with left hands4.
All couples:	quarterhouse (all quarterhouses of the set are in waltz hold)16;
	full house in waltz hold8.
Side couples:	repeat from       32.

FIGURE 2 -- POLKAS (96 BARS)     HAND OVER THE SHOULDER

All couples:	lead around anticlockwise, holding crossed-hands (right hands on top)8;
	ladies dance into and out of the set, right-hand-in-right with partner :
	gents dance in-place as ladies dance in(1), in-place(2), and out(1),
	turning anticlockwise under the gent’s right arm; keep right hands
	at the lady’s right shoulder; left hands are not held4;
	lead around anticlockwise to opposite4;
	gents turn ladies into-the-set clockwise and out-of-the-set anticlockwise
	to lead around position (right arm across the lady’s shoulder,
	holding right hands)4;
	lead around anticlockwise to home4;
	quarterhouse16;
	full house in waltz hold8;
	repeat from     40.

FIGURE 3 -- POLKAS (96 BARS)     SWING CORNER THEN PARTNER

All couples:	lead around anticlockwise, holding crossed-hands (right hands on top)8;
	swing near-corner partner in waltz hold8;
	swing original partner in waltz hold8;
	quarterhouse16;
	full house in waltz hold8;
	repeat from     40.

FIGURE 4 -- POLKAS (80 BARS)     SEVENS

All couples:	lead around anticlockwise, holding crossed-hands (right hands on top)8.
Partners:	face into the set and exchange sevens-and-threes (see heading)8.
All couples:	quarterhouse16;
	full house in waltz hold8;
	repeat from     32.

FIGURE 5 -- POLKAS (96 BARS)     CHAIN

All couples:	lead around anticlockwise, holding crossed-hands (right hands on top)8;
	chain to opposite (initially, turn in-place, right-hand-in-right2, so gents
	dance clockwise and ladies dance anticlockwise)6;
	swing original partner in opposite position in waltz hold8;
	quarterhouse16;
	full house in waltz hold8;
	chain to home (first turn in-place, right in right2, so gents
	dance clockwise and ladies dance anticlockwise)6;
	swing original partner at home in waltz hold8;
	quarterhouse16;
	full house in waltz hold8.

FIGURE 6 -- POLKAS (112 BARS)     LADIES IN, GENTS PINWHEEL

All couples:	lead around anticlockwise, holding crossed-hands (right hands on top)8;
	ladies take hands in a circle and advance and retire twice8;
	gents:  pinwheel clockwise with right hands3; reverse direction1;
	pinwheel anticlockwise with the left hand and keep left hands
	in the center4;
	gents place right hands behind at partner’s waist, ladies place hand on the gent’s
	right shoulder/upper arm, and all lead around anticlockwise8;
	quarterhouse16;
	full house in waltz hold8;
	repeat from     48.